The Return to Equilibrium - Wood Form and Poem

 

The Return to Equilibrium

 

The friendly rock

And earth so dear

Does daily speak

In whispers wise

The massive turn

With which I breathe

Induces awe

And tender bows

Yet gaze I do

Within the "rushing",

Scribbling tracks

Upon the ground

The restful quiet

Returns again

As m' eyes once more

Behold the Fire*

MS 2025

 

 

The Return to Equilibrium No.1 - 2020

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Warm Light - A Poem

 

Warm light

Finding Balance

Is not so hard,

But soft, quite soft

Nature's silence,

That Guide so pure,

Doth instruct

The mind so dark

In actions prior 

Thought complex,

But in thy Light,

Thy holy Light

Do all confusions

Float away

Like fireflies

Dim'n into the Night.

MS

2024

Being No.4 - Wood Form - with concept notes

Being No.4 - 2024

Meet the 4th piece from the "Being" series of forms. As the round mass provides the majority of the weight, the extended form is allowed to gently curve into its contact with the ground by way of its tip. And there is an interplay between this structural component and the more formal component which includes the piece's visual dynamics, directions of force, stresses and resolutions.

In my sculptural work, I find that these visual forces or vectors function to build an "interior geometry", an internal relationship of parts within the encompassing whole.

In Being No.4, the round mass metaphorically—yet loosely, vaguely, ambiguously—could represent the human or the soul, whilst the opening presents a window upon "infinite nothingness". Is this ocean of nothingness the spaceless and timeless field of pure potential? Personally, contemplating this vast field beyond the psyche, beyond the sense of being tied to body and senses, opens the mind to a quality of peace and serenity. Does "Being" then end with our sense of existence in this world, or does it extend beyond ourselves—emanating through us from an everlasting field of pure Love and Clarity.

Form and Formless No.12 - with description including reference to art and beauty in general

The simplicity in form conceals a greater complexity upon longer viewing. Form and Formless No.12 in fir was conceived on the sketch page with the precise angles and proportions seen here in the final piece. The sensitivity and subtlety of the form always baffles the sculptor in its implications regarding the laws of nature, perception and existence. The conclusion is made, that art, form and nature contain a beauty and mystery infinitely revealing in depth, and we as humans can dip into this beauty as long and as far as desired without ever exhausting its possibilities.

To the sculptor, the piece constantly reminds of a "key to truth hanging on the wall", where the form and its absence are in eternal communication, forever engaged in an inextricable relationship of total wholeness, beyond the fragmented patterns of dualistic reality.

 

Form and Formless No.12 - 2024

 

What is Art?

 

 

Contemplation on the falseness of ordinary perception results in the revelation of a very quiet mental mode where beauty is all. The motion of the bird in the tree carries a delicate purity.

Art comes from this mode of being. It can be shooting an arrow, fine cuisine, constructing a cement wall, speaking with elegance and lucidity, taking care of a sick person, even just sitting. Life is Art if action springs forth from this mode of wholeness.

The Motions of Life - a poem

 

The motions of life

In their natural course

Showing signs

And symbols

Of grand order

 

Participating,

We dance with the rhythms

Of the cosmos

And feel that

Overwhelming sense

Of joy

 

The beauty of a falling leaf,

A raging protest,

Or a drifting canoe;

The pure love seeps

Through all

 

MS

Reception No.1 - With a Short Poem

 

Reception No.1 - 2018

 

 

The compassion of absence—

The soft reception

Of emptiness—

The bed of nothing

Upon which we return

Every moment

In unceasing peace,

Tranquility, light,

Joy, surrender,

Love

 

MS